Carlos Broschi (Spanish Edition)

Free download. Book file PDF easily for everyone and every device. You can download and read online Carlos Broschi (Spanish Edition) file PDF Book only if you are registered here. And also you can download or read online all Book PDF file that related with Carlos Broschi (Spanish Edition) book. Happy reading Carlos Broschi (Spanish Edition) Bookeveryone. Download file Free Book PDF Carlos Broschi (Spanish Edition) at Complete PDF Library. This Book have some digital formats such us :paperbook, ebook, kindle, epub, fb2 and another formats. Here is The CompletePDF Book Library. It's free to register here to get Book file PDF Carlos Broschi (Spanish Edition) Pocket Guide.

Navigation menu

Guida al percorso espositivo del Museo della Musica , Bologna, In she became curator of the Civico Museo Bibliografico musicale of Bologna. Since she is tecnical representative of the Comune di Bologna for the international association European Mozart Ways and in , when the International Museum and Library of Music was inaugurated, she was created curator.

CARLO BROSCHI • 'Al dolor che vo sfogando' in 'Sabrina' [Testo di Paolo Rolli]

She is a specialist in Bolognese late Baroque art, namely sculpture. Among other subjects she has been studying nineteenth-century funerary art in the Bologna monumental cemetery, la Certosa.

go here

Great Opera Singers: Farinelli: The Great Castrato

Translation copyedited by: Lisa Kelman. Timeline for this item. D atabase.


  • Data Protection Choices;
  • Die Nacht am Strand: Roman (German Edition).
  • Edmund St. Austell.
  • Spanking Detective: The Case of the Killer Heels?
  • Deja Vu (Chaos Theory Book 1).
  • A Jagged Web.
  • Mr. Dooleys Philosophy?

Back Collection start page. Add to My Collection. It has been recorded that the range of his voice covered more than three and a half octaves. Some accounts of his life state that he could produce notes in a single breath and sustain a note for more than a minute.

They believed he hid a special instrument which maintained the sound of his voice whilst he took another breath. Despite his unusual gifts, Farinelli decided early on in his career to try and steer clear of compositions which merely enabled him to show off the range of his voice. He preferred pieces which were more restrained and purer.

Farinelli's particular destiny also became part of his legend: a huge star as were other castrato singers such as Caffarelli or Senesino , Farinelli, at the age of only thirty two, chose to retire from the limelight at the height of his success so he could sing exclusively for King Philip V of Spain who was known to have been severely depressed for many years. According to Charles Burney: "Upon the arrival of Farinelli Queen Isabella contrived that there should be a concert in a room adjoining the King's apartments, in which this singer performed one of his most captivating songs.

Shop by category

Philip appeared at first surprised, then moved: and at the end of the second air, made the virtuoso enter the royal apartment, loading him with compliments and caresses. He asked him how he could sufficiently reward such talents and assured him that he would refuse him nothing.

Farinelli, previously instructed, begged that His Majesty would permit his attendants to shave and dress him, and asked that he would endeavor to appear in council as usual. From then on the king's disease was treated medically, and the singer was considered responsible for curing him.

Site Search Navigation

Thus began Farinelli's remarkable Spanish career, spanning more than two decades in the service of Philip V and Ferdinand VI The fact that Farinelli retired from public performance early in his career was unquestionably significant since Farinelli remained a success in the public imagination whilst many other castrato singers fell from their pedestals while still in the public eye.

Furthermore, it is said that in addition to his talent, physical beauty and wisdom, Farinelli possessed great humility. Carlo Broschi was born in Andrea, Naples in He had one brother, Riccardo, eight years his senior who composed several operas for him. Contrary to the majority of castrati who came from lowly origin, Farinelli belonged to a lesser noble family.

FILM REVIEW; Grandeur and Glory, But Oh, What a Cost

His father, Salvatore, was governor of Maratea and Cisternino between and Castrated somewhere between the ages of seven and eight, Carlo became a pupil of the famous teacher of castrati, Porpora, considered today to be one of the most important music teachers of all time. During his musical studies in Naples, Carlo became the prodigy of the Farina brothers. To acknowledge this he adopted, according to the custom of the time, the name of 'Farinelli'. His first appearance on the public scene came in when he was fifteen years old, at the Palace of the Prince of Torella.

Farinelli had a role in "Angelika and Medoro," an opera written by his teacher Porpora with a libretto written by the poet Metastase, a very prolific writer of "opera seria. Italy is where Farinelli first became famous. He made his name first in Naples, then Rome and Bologna.